When a digital image is enlarged, each single pixel is accordingly enlarged in size, which works out fine up until the point that the human eye is able to discern each and every individual pixel, a phenomenon known to every Photo-shopper around the world as "pixelation". Independent company HTV-Illuminate was awarded the commission for the upgrade of the second season. Besides technological advances of the format proper, it was the spatial resolution phenomenon that became partially responsible for the perceived image improvement for these releases, such as those for the remastered films, Original Series and Star Trek: Enterprise. It also means that if the new 2160p format becomes the new norm, the procedure can be repeated for the first ten films, though not from the digitally enhanced 1080p versions; the original film elements have to be revisited in that case, as had indeed been done for the Star Trek II: The Wrath of Khan (Director's Cut) Blu-ray, though it had been downscaled to the 1080p resolution format for its 2016 Blu-ray home video release. [22] However, some use of CGI was made. Star Trek: The Next Generation aired in syndication from 1987-1994, and the original standard resolution episodes were the only available versions for many years. You can change your choices at any time by visiting Your Privacy Controls. As a result, the collection of original Next Generation footage, totaling over 25,000 reels, was painstakingly re-edited exactly as had been done for the original airing, essentially doing the post-production process all over again in its entirety, which, in the process, also explained why the remastering project turned out to be so costly. The operation was especially commissioned for the 1992-1993 Japanese Original Series LaserDisc collection releases, Star Trek - Log 1, Log 2 and Log 3. The seasons were to be released in an HD DVD/DVD combination set, with season one released in November 2007. Multiple sources I spoke with at Comic-Con have This phenomenon, where reducing the resolution actually enhances the perceived image quality, is called improving the spatial resolution and a principle which states that, simply put, the more pixels there are in a fixed frame dimension, the less a pixel can resolve itself – in layman's terms, becoming more blurred to the Human eye. A similar effect is noticeable when a 1080p or 2160p HD home video format, presently produced with the current dimensions of home screens in the mid-to-large size range in mind – and thus the very reason for the down-scaling of the Star Trek films – , is viewed on smaller sized view screens, even if they are technically capable to play back such formats in said resolutions. The release of seasons two and three were canceled in February 2008 due to the decline of HD DVDs in comparison to rival format Blu-ray. Most notably, however, was that many scenes were digitally enhanced and visually changed with the addition of computer-generated imagery (CGI). With Patrick Stewart, Brent Spiner, Jonathan Frakes, LeVar Burton. Free Shipping on Orders over $25! Forums > Star Trek Series | 2364 - 2378 > Star Trek: The Next Generation > Remastered TNG in widescreen? And it would be on 1080p Blu-Ray as we speak..." [6](X) The 2007 Blade Runner Ultimate Collector's Edition Dochterman spoke of, was withheld from release until after the introduction of the Blu-ray format the year previously, in the process becoming a standard for such releases. With such thought-provoking episodes as The Measure of a Man and The Inner Light; the return of the Borg in The Best of Both Worlds; and the time-shattering confrontation between Captain Jean-Luc Picard (Patrick Stewart) and the mysterious, god-like Q in the … In an interview with TVGuide.com, project supervisor Michael Okuda said, "We're taking great pains to respect the integrity and style of the original...Our goal is to always ask ourselves: What would Roddenberry have done with today's technology?" In 2010, W.I.R.E.D noted this episode of Star Trek as one that could … Find out more about how we use your information in our Privacy Policy and Cookie Policy. A conceivable rationale for the studio to proceed in this manner was, that re-compositing the available HD CGI elements was deemed too cost-prohibitive when compared to the work needed for the other films. Featuring a bigger and better USS Enterprise, this series is set 78 years after the original series -- in the 24th century. Nevertheless, a significant improvement was made in sound quality as a new Dolby Digital Surround Sound track was created for the release, and picture quality was markedly improved over the prior home media formats, including the US LaserDisc releases – having made use, unlike the Japanese version, of the original film masters. It has concurrently explained why the studio was able to release the remastered films in such quick succession, spanning a time period of merely two years, 2009-2010. We've had some discussions," adding that "it'll happen, the only question is when are we going to go ahead with it". Visually, it is the special and visual effects (VFX), most notably in science fiction productions such as Star Trek, which are particularly well served with remastering. Striking examples of these were the enhanced air tram station as well as the first and only full view of V'Ger, which was not there in the original version. the upgrade from SD to HD (as DVD the production was merely meant to be played on television sets and was therefore executed in the SD 480i/576i video format with picture quality enhanced by traditional analog methods instead of digital upgrading [3]), it still was in essence a remastered production as it did receive a new, upgraded soundtrack. Only a hybrid black and white/color version had hitherto been available. Movies / TV: Sci-Fi-Contemporary: 097360718942 [25] TrekCore is cooperating with another blog, Ex Astris Scientia, where MA admin Jörg broke down each episode for the differences and occasionally received input from production staffers to explain detail issues. Created by Gene Roddenberry. Take your favorite fandoms with you and never miss a beat. [23], CBS Digital was again appointed lead company in the remastering project, as well as being made responsible for the creation of the replacement CGI effects. 52-62), A remastered HD Blu-ray version of the Director's Edition was reported on 30 April 2013 for release. Mr. Acosta was able to give us what Star Trek the original series might have looked liked. However, their work was less well received, as many considered their efforts sub-par to that of CBS Digital. When Star Trek: The Next Generation was first coming to Blu-ray, some fans wondered why the beloved series was not being remastered in widescreen. The TNG Season 1 Blu-ray was released on 24 July 2012, Season 2 on 4 December 2012, Season 3 on 29 April 2013, Season 4 on 29 July 2013, Season 5 on 18 November 2013, Season 6 on 18 June 2014, and finally, Season 7 on 2 December 2014. [14] all three seasons are available on Blu-ray Disc, as well as through Apple's iTunes Store (along with a "best of" collection for budget-minded fans), with select episodes available on Microsoft's Xbox 360 Video Marketplace. Directed by Gabrielle Beaumont. Hello Welcome to the page! A striking detail was, that when it came to the remastering of The Motion Picture, as one of the last released in 2010, only the original theatrical version could be done so, and not the Director's Edition for the reasons mentioned above. The art department sent over a drawing that they'd made of the station, Then we made some modifications based on color prints made from the original negative, which we felt were faithful to the original design. Page 2 of 3 < Prev 1 2 3 Next > 2takesfrakes Rear Admiral Rear Admiral. This could have been a problem as far as the digital sequences were concerned, were it not that they were all composited for major theatrical features (i.e. It was with the release of the first one, "The Best of Both Worlds", that it became evident that these issues would contain newly made special features, that were not to be included in the regular boxed season releases, much to the dismay of fans. [2] This however, was a "commercial exaggeration" on the part of Smith, as the full coloring of "The Cage" had already been completed for the 1989-1991 (low-res) Betamax/VHS and Laserdisc home media format releases. However, he also intimated that his team did not use the analog Japanese transfers but rather revisited the old worn-out original 35mm film masters, cleaning and color correcting them up before digitally transferring them. This is the reason why later episodes of Star Trek: Deep Space Nine and Star Trek: Voyager, or The Motion Picture Director's Edition for that matter – the DVD version that is – originally produced in analog SD standards, can never be shown theatrically – enlarged onto the very big screen, the digitally-rendered VFX scenes would fall apart due to the pixelation phenomenon. Note that it is the devices themselves that do the downscaling when accessing the HD files. The refurbished episodes were converted from the original film to a high-definition format similar to that used on Star Trek: Enterprise. Spatial resolution also explains the perceived higher picture quality of remastered DVDs in comparison to their standard DVD counterparts originally produced in SD such as those for, again, the films and the Original Series, even though they are technically both of the same resolution. Mike Okuda tells us exactly what we need in there, and it's just back and forth – playing it and seeing what the details are going to look like and then I put them in, compare with the old, [Mike will] look at it, I'll make the changes and that's how it goes." (Sci-fi & fantasy modeller, Vol. Guaranteed Lowest Price. In the 1970s and 80s, it was fairly common for broadcast pilots, miniseries, and 2-part episodes to be re… [5], Bonchune's supervisor Dochterman had already indicated previously that the digital sequences were produced at a high definition resolution in a remark made in 2009 to DrexFiles(X), "I sure wish we had had the time and resources [note: either for the remastering of the analog film footage, the home video production as the Blu-ray format was not marketed yet, or both] that Warner Brothers had allotted to the Blade Runner redux. Former Foundation VFX Supervisor Adam Lebowitz has reported that all these elements were left on the company servers when they were auctioned off after the company went out of business shortly after having completed the Director's Edition commission, which would mean that the studio had to painstakingly recreate all these elements. The easiest way to tell is by Episode 1x04 'Datalore' where the Crew first encounter Data's brother Lore and more importantly (in this regard at least) the Crystalline Entity. (see: main article), Canisters of film, in storage, from the show's production. [17] What this reviewer had overlooked however, was, that the soundtrack had already received its extensive overhaul in 2001 for the Director's Edition, a privilege the other nine films did not enjoy. Star Trek: Motion Picture Trilogy, Blu-ray, Boxed Set, Remastered, Restored, Widescreen, Sci-Fi-Contemporary, 097361427744 For CBS to be able to do so, they had to sub-contract, considering the amount of work the remastering entailed, other companies to do the work on a season alternating basis. While enlarging an analog image will not noticeably result in loss of sharpness (actually the main reason why, as of 2015, so many professional still photographers still ply their trade "old school"), the same can not be said of digital images. Would I like a few more pieces... sure. [1], The first, 17 August 1999, "digitally enhanced and remastered" Original Series DVD release. Highly anticipated, the first season release was well received and did very well in initial sales, selling 95,435 copies in the first week after release in the US alone, which was expected by the franchise to earn an initial US$5.5 million in domestic sales alone, putting it well on its way to cover the US$9 million the first season remastering had cost. far larger screens), and therefore constructed in a resolution which at the very least approximated the resolution of the rest of the live-action footage, i.e. Produced under the aegis of Robert Wise Productions, the CGI for this production was provided by VFX house Foundation Imaging and supervised by Daren Dochterman, while the soundtrack was remastered in Dolby Digital 5.1 by Chuck Michael under the supervision of Michael Matessino at the production company. The first few episodes were rushed, as CBS only gave its team "one month to deliver the first two episodes with over 120 new effects shots." In a similar fashion as they had done for the Original Series remastering project, CBS Consumer Products again reached out to the Star Trek fan community, this time by giving access to the project to the administrators of the TrekCore news website. There's no way to put more detail into those, so it's basically all recreation. The last episode they worked on was the show's first pilot, "The Cage". These technological properties made the remastering of the franchise's first ten Star Trek films a relatively cost-effective – meaning the studio did not need to revisit the original digital VFX sequences for reconstruction in higher resolution – and therefore profitable effort in comparison to its very costly previous Original Series project, and its subsequent, even more expensive, Next Generation project. Produced in the new 4K UHD standard, some remastering in the form of down-scaling (see below) was required though for the underlying regular DVD and Blu-ray home video formats. And part of the endearing charm of the original series are the cool opticals." What do you imagine the series would of looked like? Compared to its Original Series predecessor, this had, excepting the construction of the new digital visual effects, made the Original Series project actually the more straightforward one. Fein also confirmed that a Blu-ray release was put on the back burner as "Paramount has yet to green light the project. Members of the effects team have commented that they may go back to the earlier episodes and re-render the ship scenes with the new model, [11] [12] though that did not come to fruition. It was TrekCore's Adam Walker in particular, who was given access to production staffers and actors alike for conducting in-depth interviews that were published on the blog. CBS Digital wrapped up their visual effects work on TOS Remastered just before midnight on 21 April 2008. Smith additionally intimated that it was for this occasion that the original pilot episode, "The Cage", was restored to its full color version. Entire episodes are dedicated to learning about various crew members, and how they are a special and integral part of the team. The downscaled HD 480p format is a commonly used format for display on the small screens of smartphones, whereas the larger-screen computer tablets, such as the iPads, usually make do with the 720p format – as do most small-screen television sets incidentally, most notably the so-called "HD Ready" television sets. But unlike Star Trek: TNG, with its plethora of light stands, crew members and other flotsam floating just out of frame, there are at least parts of Battlestar that were always intended to be widescreen. Currently, after heated debates among professionals, a sort-of-consensus has been reached that analog imagery struck on the traditional 35mm film is comparable to a 4000p-6000p digital resolution range, while 70mm analog prints (typically for Imax films) were estimated at 18000p. The first release for high-definition Star Trek: The Next Generation was a Blu-ray sampler disc, Star Trek: The Next Generation - The Next Level, released on 31 January 2012, [27] and the full series Blu-ray release followed suit. Engadget is part of Verizon Media. While the production did not, strictly speaking, conform to the current understanding of remastering, i.e. A Q & A with the production staff was posted by the official StarTrek.com website on 6 September 2006, shortly before the site was taken off-line by the franchise. Planned to coincide with Star Trek's 40th anniversary, the "new" Star Trek debuted 16 September 2006. Aside for organizational reasons, there were in some cases also practical reasons for abandoning the practice; some of the deleted scenes only still existed on so-called taped "workprints", pre-final edited versions of episodes made for evaluation purposes by producers. Captain James T. Kirk -- along with half- human/half-Vulcan science officer Spock, ship Dr. "Bones" McCoy, Ensign Pavel Chekov, communications officer Lt. Nyota Uhura, helmsman Lt. Hikaru Sulu and chief engineer Lt. Cmdr. 26, p. 49) As explained above however, when enlarging, the original high-rez image becomes much clearer and more crisp due to the spatial resolution phenomenon (this picture is a good example), whereas the down-scaled image falls much sooner prey to the pixelation effect. While it was still featured, a video preview and interviews with people involved in the project could be viewed by clicking the link to the left of the page. On 31 August 2006, CBS Paramount Television announced that, in celebration of the 40th anniversary of Star Trek: The Original Series would return to broadcast syndication for the first time in sixteen years. It's true, TNG was a bit of a mess at times. The effects were shot on video rather … Typically, video remastering entails the digital scanning of the individual film cells of the original masters in 720p/1080p/2160p resolution, after which, optionally, digital editing is performed in dedicated image manipulating software packages, such as color correcting or repairing damage on the cells. We and our partners will store and/or access information on your device through the use of cookies and similar technologies, to display personalised ads and content, for ad and content measurement, audience insights and product development. Joined: Oct 13, 2013 Location: [29] Though not having confirmed if this was in any way related, CBS has made the decision to go with another effects house, Modern VideoFilm, for the remastering of season four, while simultaneously keeping a tighter rein over the work [30], aside from doing the two-part episodes "The Best of Both Worlds" and "Redemption" themselves. Star Trek: The Next Generation . While visiting a planet under civil war, Dr. Crusher is taken hostage by an opposing faction of the planet's ruling government. Again, there is no truth that anything is missing." [18]. Taking The Next Generation to the Next Level, fxguidetv #161: CBS Digital & Star Trek TNG, 2006 "Behind the Scenes at CBS Digital" feature, 2012 five part interview with the staff of CBS Digital, Why Deep Space Nine and Voyager Aren’t On Blu-ray… And Why They May Never Be, https://memory-alpha.fandom.com/wiki/Remaster?oldid=2553525. Buy Star Trek II: The Wrath of Khan [Blu-ray] [Remastered, Restored, Widescreen, Subtitled] at CCVideo.com. These formats are at the very least employed for 6 channel (5.1) sound systems, though the newer 8 channel (7.1) norm is steadily gaining ground as of 2016. While the current understanding of the Star Trek remastering projects concern the digital projects CBS Consumer Products embarked upon in the 2000s, essentially started by predecessor Viacom Consumer Products with the 2001 release of Star Trek: The Motion Picture (The Director's Edition), its predecessor, Paramount Marketing and Licensing Department, had already embarked upon an early Star Trek: The Original Series "proto-remastering" project in the early 1990s. HDTV was the future. When Paramount Home Entertainment started its release of the Original Series on DVD in August 1999 as the "bare-bone" two episodes per disc release, it had it proudly stated on the cover art that it was a "digitally enhanced and remastered" edition. However, for some reason, the credits at the end of the episode were not remastered and digitally enhanced. Unlike the HD DVD releases, the Blu-ray editions also include the original versions of each episode, allowing the original special effects and images to be seen in high-definition for the first time and providing viewers who did not wish to view the remastered versions an option. Typically, these algorithms remove the more ambiguously-coded pixels, often resulting in far more crisp and more sharply defined images to the Human eye when viewed on the smaller screens, even though they are then, most counter-intuitively, of a lesser resolution. At least it is on Netflix in the UK, though I see no reason why it'd be any different in the (presumably) US. While all the analog, live-action footage could be scanned digitally without much further ado, it should be noted that the four Next Generation films, starting with Star Trek Generations, contained an ever-increasing number of digital VFX sequences, culminating in that virtually all exterior VFX sequences of Star Trek: Insurrection and Star Trek Nemesis were digitally composited. After several months of speculation and partial confirmation, on 28 September 2011 (the 24th anniversary of the series premiere), StarTrek.com announced that Star Trek: The Next Generation was to be remastered to, again, 1080p HD video, and DTS-HD Master Audio 7.1 Surround audio standards, for release on Blu-ray Disc and eventual syndication, starting in 2012. To this: star_trek_next_generation.jpg (1920×1080) (cbsstatic.com) And then they settle on it, and do deep dives into character development. Digitally remastered television episodes or films are in current understanding (re-)releases with audio and video digitally, or computer-aided, enhanced. There is a mystery involved with this release however; five days prior to the official DVD release, on 1 November 2001, Paramount Pictures had organized an event in its Paramount Theatre of the Arts, called the "Star Trek: The Motion Picture – The Director's Edition DVD Premiere Event". Incidentally, CBS Digital had four years earlier already stumbled upon the "spatial resolution" effect by accident, when they decided out of cost considerations to cut down on computer rendering time by dialing down the (pixel count) resolution of their highly detailed original CGI Enterprise model. Paramount's Project Manager for the DVD release, Ron Smith, stated to the press at the time, "We have dutifully cleaned up the opticals, which have become predictably dirty. As with Deep Space Nine, Star Trek: Voyager is unlikely to ever get an official high-resolution remaster. Indicative of the accelerated development of HD is that the very first 8K UHD 4320p resolution (starting to approximate something akin to pseudo-3D) television sets were already marketed by late 2019. James Kirk, a less volatile and more mature Capt. Enterprise-D on their own mission to go where no one has gone before. Most of these workprint tapes were habitually not archived at Paramount and ended afterwards up in the possession of collectors such as Cyril Paciullo, having acquired them at the various Star Trek auctions. [16] The remastered versions of the first ten Star Trek films were released from 2009 to 2010 in both the DVD and Blu-Ray disc formats. The announced release date proved to be premature though, as it turned out that Paramount had failed to maintain ownership over the CGI elements that were added to the Director's Edition. 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